Journalism Across Cultures: An Introduction Review
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James Joyce's work has been regarded as some of the most obscure, challenging, and difficult writing ever committed to paper; it is also shamelessly funny and endlessly entertaining. Joyce: A Guide for the Perplexed celebrates the daring, humor and playfulness of Joyce's complex work while engaging with and elucidating the most demanding aspects of his writing. The book explores in detail the motifs and radical innovations of style and technique that characterize his major works—Dubliners, A Portrait of the Artist as a Young Man, Ulysses, and Finnegans Wake. By highlighting how Joyce's texts have been read by recent innovations in literary and cultural theory, Joyce: A Guide for the Perplexed offers the reader a Joyce that is contemporary, fresh, and relevant.
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How to Do Things with Books in Victorian Britain asks how our culture came to frown on using books for any purpose other than reading. When did the coffee-table book become an object of scorn? Why did law courts forbid witnesses to kiss the Bible? What made Victorian cartoonists mock commuters who hid behind the newspaper, ladies who matched their books' binding to their dress, and servants who reduced newspapers to fish 'n' chips wrap?
Shedding new light on novels by Thackeray, Dickens, the Brontës, Trollope, and Collins, as well as the urban sociology of Henry Mayhew, Leah Price also uncovers the lives and afterlives of anonymous religious tracts and household manuals. From knickknacks to wastepaper, books mattered to the Victorians in ways that cannot be explained by their printed content alone. And whether displayed, defaced, exchanged, or discarded, printed matter participated, and still participates, in a range of transactions that stretches far beyond reading.
Supplementing close readings with a sensitive reconstruction of how Victorians thought and felt about books, Price offers a new model for integrating literary theory with cultural history. How to Do Things with Books in Victorian Britain reshapes our understanding of the interplay between words and objects in the nineteenth century and beyond.
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This book, the first feminist ethnography of the violence in Northern Ireland, is an analysis of a political conflict through the lens of gender. The case in point is the working-class Catholic resistance to British rule in Northern Ireland. During the 1970s women in Catholic/nationalist districts of Belfast organized themselves into street committees and led popular forms of resistance against the policies of the government of Northern Ireland and, after its demise, against those of the British. In the abundant literature on the conflict, however, the political tactics of nationalist women have passed virtually unnoticed. Begoña Aretxaga argues here that these hitherto invisible practices were an integral part of the social dynamic of the conflict and had important implications for the broader organization of nationalist forms of resistance and gender relationships.
Combining interpretative anthropology and poststructuralist feminist theory, Aretxaga contributes not only to anthropology and feminist studies but also to research on ethnic and social conflict by showing the gendered constitution of political violence. She goes further than asserting that violence affects men and women differently by arguing that the manners in which violence is gendered are not fixed but constantly shifting, depending on the contingencies of history, social class, and ethnic identity. Thus any attempt at subverting gender inequality is necessarily colored by other dimensions of political experience.
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