"The best comic writer I can think of."—S.J. Perelman
The great Irish humorist and writer Flann O'Brien, aka Brian O'Nolan, aka Myles na Gopaleen, also wrote a newspaper column called "Cruiskeen Lawn." The Best of Myles collects the best and funniest, covering such subjects as plumbers, the justice system, and improbable inventions. Read more...
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An essential part of the Irish national imaginary, the poems and plays of W. B. Yeats have helped to create the nation of Ireland, while critiquing the modern state that emerged from the country’s revolutionary period. Yeats’s mastery and extension of the traditional forms of verse, from ballad and sonnet to modernist sequence or constellation, gives aesthetic shape to Irish political and cultural preoccupations.This study offers a lucid and comprehensive account of Yeats’s poetry and drama that makes illuminating connections with contemporary theories of nationalism and modernism.
This book examines the development of literary constructions of Irish-American identity from the mid-nineteenth century arrival of the Famine generation through the Great Depression. It goes beyond an analysis of negative Irish stereotypes and shows how Irish characters became the site of intense cultural debate regarding American identity, with some writers imagining Irishness to be the antithesis of Americanness, but others suggesting Irishness to be a path to Americanization.
This study emphasizes the importance of considering how a sense of Irishness was imagined by both Irish-American writers conscious of the process of self-definition as well as non-Irish writers responsive to shifting cultural concerns regarding ethnic others. It analyzes specific iconic Irish-American characters including Mark Twain’s Huck Finn and Margaret Mitchell’s Scarlet O’Hara, as well as lesser-known Irish monsters who lurked in the American imagination such as T.S. Eliot’s Sweeney and Frank Norris’ McTeague.
As Dowd argues, in contemporary American society, Irishness has been largely absorbed into a homogenous white culture, and as a result, it has become a largely invisible ethnicity to many modern literary critics. Too often, they simply do not see Irishness or do not think it relevant, and as a result, many Irish-American characters have been de-ethnicized in the critical literature of the past century. This volume reestablishes the importance of Irish ethnicity to many characters that have come to be misread as generically white and shows how Irishness is integral to their stories.
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"In this volume, the contributors -- a veritable Who's Who of Joyce specialists -- provide an excellent introduction to the central issues of contemporary Joyce criticism."
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